PENGARUH TRANSFORMASI KHAṬ DAN ORNAMEN ILUMINASI TERHADAP MUSHAF NUSANTARA

Abstrak

Abstract
The transformation of the makhṭūṭah al-muṣhaf that arrived in the Nusantara is directly proportional to the long historical roots of the character of the Arabic language. Starting with Maramir bin Murrah, Aslam bin Sidrah, and Amir bin Judrah who made Arab Tay the first clan to popularize Arabic written characters. This writing style became the forerunner of Arabic Khaṭ which continued to be developed until Islam came. In the following generations, the Al-Qur'an manuscript continued to transform until Abul Aswad ad Duali (d 688 AD) and Khalil bin Ahmad Al Farahidi (d 786 AD) period, two figures who perfected Arabic letter punctuation, emerged. On the other hand, the development of written Al-Qur'an continues to develop, followed by the development of khaṭ and aesthetic styles of manuscripts such as borders on manuscripts which represent the development of written civilization, especially painting and geometry. This development began with the emergence of pictorial works such as translation of Kalilah wa Dimnah by Ibn Al Muqaffa (d 759 AD). Departing from this, this research attempts to reveal the shift or transformation of the writing and aesthetics of the Al-Qur'an manuscripts which then entered Nusantara using the Sociology of Knowledge theory of Peter L. Berger and Thomas Luckmann. Apart from that, this discipline aims to reveal the patterns of transmission and transformation of the Al- Qur'an manuscripts that occur and the forms of externalization, internalization and objectification that apply to the transformation of the Al-Qur'anic Mushaf.
Keywords: Makhṭūṭah al-Muṣhaf, Sociology of Knowledge, Khaṭ, and Mushaf Illumination Ornaments